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Crafting Emotional Resonance: Part 4 – Precise Prose

Posted on March 14, 2023March 15, 2023 by R.M. Archer

Today marks the end of this series on writing emotionally resonant scenes and stories! There will be one more related post in a few weeks that covers writing effective dialogue—plus a critique post next week that provides insight into how all of these tips can be applied—but this will be the last how-to post that’s officially part of the series. Today I want to talk about how your prose can make or break the tone and emotion of your writing.

I’ve talked about why I love classic literature before, and one of the reasons is that classic authors took word choice very seriously. They made a point to choose exactly the right words to convey their meaning, connect to their themes, and highlight the emotion they wanted to resonate with readers. Mark Twain said well that,

“The difference between the right word and the almost right word is the difference between lightning and a lightning bug.”

As authors, we know that words have power. This is certainly as true on the micro level as it is true of story as a whole! Yet our specific word choice within stories, within scenes, within sentences is often less careful than it could be, and our stories—and their impact on readers, by extension—suffer for it.

The question is: How do we fix it? Continue reading “Crafting Emotional Resonance: Part 4 – Precise Prose” →

Crafting Emotional Resonance: Part 3 – Repressed Emotion

Posted on March 7, 2023March 6, 2023 by R.M. Archer

Last week I talked about the importance of your characters’ reactions to the people and situations around them as a tool to connect their emotions with your readers. I talked about how to write those reactions in general, from the character’s perspective. But your characters won’t always be aware of what they’re feeling—or how they’re expressing it. Writing about those surprise emotions and responses is the topic of today’s post!

Outside Responses

Expressions and emotions that your character isn’t aware of—or simply isn’t acknowledging—require Continue reading “Crafting Emotional Resonance: Part 3 – Repressed Emotion” →

Crafting Emotional Resonance: Part 2 – Character Reactions

Posted on February 28, 2023February 8, 2023 by R.M. Archer

Welcome back to the “crafting emotional resonance” series! This week’s topic is character reactions. How can the reactions of your characters to their surroundings, circumstances, and other characters really connect emotionally with your readers?

Dialogue

For many writers (myself included), dialogue is a character’s first response–especially Continue reading “Crafting Emotional Resonance: Part 2 – Character Reactions” →

Crafting Emotional Resonance: Part 1 – Character-Driven Description

Posted on February 21, 2023February 8, 2023 by R.M. Archer

Over the next few weeks, I want to focus on the craft of writing emotionally resonant scenes and stories. What does that mean? I want to give you the tools you need to not only convey the actions of a story, but connect those actions to the emotions of your characters and, by extension, the emotions of the reader. (Thanks to Courtney L for the topic of this blog post series.)

To kick off this week, we’re going to look at the details of prose. The biggest issue I see as an editor reading books and helping authors to build more emotion into their scenes is a lack of description that connects to the character. This leads to flat description that readers don’t really care about—and characters whose emotions are a mystery.

There are two potential issues at play here.

#1: You may be lacking description altogether.

#2: The description is there, it’s just not working.

Fortunately, both of these problems can be fixed.

When Description is Missing

If this is the case, my starting advice Continue reading “Crafting Emotional Resonance: Part 1 – Character-Driven Description” →

Worldbuilding for a First Draft

Posted on November 15, 2022February 7, 2023 by R.M. Archer

Worldbuilding can present a number of challenges—often different for each author—but one that seems to be a universal struggle is the challenge of knowing how much worldbuilding to do before you start a writing project. Whether you’re an author who gets sucked into the worldbuilding and has trouble getting into the actual writing process, or an author who leans into the writing process and finds later that their worlds don’t have as much depth as intended, hopefully this post will be a help and encouragement on the subject of worldbuilding for the sake of drafting.

Enough is Enough

You don’t need to know everything before you start writing.

Those of you who prefer to dive into Continue reading “Worldbuilding for a First Draft” →